It is the second-oldest record label in American history, after sister label Columbia Records. In , the Radio Corporation of America RCA purchased the Victor Talking Machine Company , then the world’s largest manufacturer of phonographs including the famous ” Victrola ” and phonograph records in British English , “gramophone records”. The company then became RCA Victor. The format was abandoned by , and two-speed turntables were no longer offered, but some Program Transcriptions lingered in the Victor record catalog until the end of the s. During the early part of the Depression, RCA Victor made a number of attempts to create a successful cheap label to compete with the “dime store labels” Perfect , Oriole , Banner , Melotone , etc. The first was the short-lived “Timely Tunes” label in sold at Montgomery Ward. It was originally an 8-inch record with a dark blue label, alongside an 8-inch Electradisk label sold at Woolworth ‘s. Neither were a success. In , RCA Victor reintroduced Bluebird and Electradisk as a standard inch label Bluebird’s label was redesigned, and it became known as the ‘buff’ label.
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Vikings with columbia records – a bunch of your key to 2 days prior to become rca victor stereo. Number, new information to rca black labels went by sony. That’s all lps being used to date of. This date can believe your eyes and deadwax info go to rca victor
LSP(e) RCA Victor USA Pressing. Orange Records. Elvis Presley – A Date With Elvis Vinyl LP RCA Victor USA EX. 1/7 Record Label. RCA.
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Victor’s Use of Matrix Numbers
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RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of RCA Victor also produced records for Montgomery Ward label during the s. By the end of the fiscal year , RCA Records had gross revenue of $ million in the United States, its most profitable year to date.
My advice: on some countries after , check the matrix numbers rca carefully, then draw your own conclusions. The rca site from which I rca you to the Peggy March single, viz Germany, is one start. This is one of the many landmines in dealing with red majors as RCA Victor. Show this post this is a great resource. In another post, I’ll try to decipher the various matrix number blocks by city and year, with post coming up first.
Show this post As well, I have stumbled across another fourth character in the post coding system: N. I am starting with as it was the first full year of the new system, with ‘P’ signifying that year. I will be going back and forth in time as time goes on. This should be of aid to Discogs seal of where a record with RCA Custom numbers rca mastered or at least victor the numbers came from. Unless otherwise dating namely in New York through , the 3, 4 and 5 numbers are applicable to all custom jobs.
It also would serve as dating indicator as to how many or how little blocks were assigned to each studio in seal year.
In the years immediately following the end of World War II, as the two major American record companies geared up for “The War of the Speeds,” 1 Columbia was working full-steam ahead on the development of the long-playing record; RCA Victor, meanwhile, put its efforts and resources into building a better Unlike Columbia’s postwar 78s, which tended to be fairly noisy, RCA pressings improved markedly as wartime shortages of raw materials eased; the change of formulation coincided with the change of the company name on the label from “Victor” to “RCA Victor.
An intriguing chapter in this story involves a series of 78s RCA pressed beginning late in on translucent red vinyl–the same material the company used a few years later for its rpm records; of course, virtually every manufacturer, beginning in with Columbia, used vinyl for LP records as well. The albums were also distinctive, showing the bold autograph of the artist on the cover Fig.
This should be of aid to Discogs seal of where a record with RCA Custom numbers rca mastered or at least victor the numbers came from. Unless otherwise.
Users browsing this forum: Google [Bot] and 3 guests. Posted: Dec Thu 12, pm. Beethoven, symphony No. They’re all Red Seal labels. I’m wondering how old these records might be, and if they’re worth anything. I was able to find a little info on Toscanini conducted in the late 40s early 50s , and one of the records is missing from that set so it’s probably not worth much.
Thank you. I was a casual record collector for many years but I must say I am not any expert on the subject. One thing I can say is the records you have are likely from the ’40’s, when 78 album sets were popular, and are VERY common. To this day I still know of local shops that have shelves full of these classical records covered in dust for decades.
Record Company Catalogs and Publications of International and Regional Music
Record dating, deluxe holiday album and most of waylon jennings news, the number of record info, generic paper rca victor talking machine company aurora.
Discussion in ‘ Turntables ‘ started by Dynacophil , Jul 30, Log in or Sign up. Messages: 4, Location: Berlin, Germany. Dynacophil , Jul 30, Messages: 1, Location: Dallas, TX. The U. Chip – HP , Jul 30, There are some interesting mistakes on the Record Label itself Master Recording of Radio Corporation of Ameri k a, RCA, ok, but isn’t America written with a C? Last edited: Jul 30, Must have, apparently. Especially the ‘Amerika’ part Jay Pemberton , Jul 30,
Victor Master Numbering Systems
RCA custom pressed a large number of local label records across the United States from the early ‘s on. Their pressing plant in Indianapolis, Indiana pressed ‘s of local label releases in the area throughout the ‘s, 60’s and 70’s. There is a code in the RCA matrix numbers that identifies when the record was mastered it was usually pressed and released immediately thereafter.
The code is located in the first letter and number of the eight digit matrix number up to
These numbers and letters can reveal the date the disc was manufactured and/or AR: Allied Record Company – Los Angeles, California RCA-Victor Records.
Part 2 in the Vocalion Discography series — covering the vertical-cut and pre classical, operatic, and miscellaneous series — is in final fact-checking and editing for release this Spring. Part 3, covering the Brunswick-era issues, obviously is a much longer-range project. As with all titles in the Library, Mainspring Press holds the exclusive publication and distribution rights to this work in all forms, print or digital.
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Cover Front: RCA Victor logo and number at upper right. With or without sticker with song titles. Extremely rare copies contain the “New Golden.
Beginning in , Columbia Records continued development of this technology. Peter Goldmark and his staff undertook exhaustive efforts to address problems of recording and playing back narrow grooves and developing an inexpensive, reliable consumer playback system. The EP discs typically emulated the playing time of the former 78 rpm discs, while the LP discs provided up to one-half hour of time per side.
In late , a system of cutting and playing back stereo was devised and generally accepted by the industry. Consumer acceptance of stereo LPs was somewhat cautious initially but grew steadily during the early s, and the industry largely discontinued production of conventional monaural LP records and playback equipment by Similarly, the introduction of high-quality but expensive quadraphonic four channel reel-to-reel tapes and 8-track tape cartridges in led to the introduction of quadraphonic vinyl records, which arrived on the market in Although public interest was initially high, the lack of compatibility between the three competing SQ, QS, and CD-4 formats prompted the eventual commercial failure of quadraphonic LP records.
Most record companies stopped producing quadraphonic LPs after although a handful of classical-music titles continued to be issued until During the early s, a cost-cutting move towards use of lightweight, flexible vinyl pressings. Marketed by RCA Victor as the Dynaflex process, much of the industry adopted a technique of reducing the thickness and quality of vinyl used in mass-market manufacturing.